This collection is a study of identity in the modern digital era, increasingly dominated by NFT profile pictures. We all construct complex identities to project out into the world, perhaps to distract ourselves from facing the real question that is gnawing at our subconscious. "Who am I?" The moment we feel ourselves begin to grasp an answer it recedes further out of reach leaving us in free fall. The good news is there is no ground.
A long form generative art PFP project. Read more...
A long form generative art collection of eyes - uncannily real, yet supernatural. It is said that eyes are the window to the soul. What does the digital soul look like?
Each piece is animated in 3D and is resolution-independent, meaning it will scale to any size of digital display without any loss in quality or resolution. Animations are non-repeating and continue forever. Read more...
Electralina is a wife and husband collaboration between Alina Karo and Ryan Junee.
Alina started her professional career as a fashion photographer in 2004 and by 2006 she was working with top modeling agencies in Paris, London, New York and Moscow, with her photographs featured in Vogue, Esquire, Harper’s Bazaar, Interview, L’Officiel, Interview, Numero, Tatler, Elle, Marie-Claire and many others. In 2014 she turned her attention from the commercial fashion industry towards artistic independent work and created collections like “Seven Deadly Sins'' and “Vollipsis” that were exhibited at galleries in Paris, New York, Miami and Los Angeles. Combining the elegant poses of high fashion with the grotesque, the anti-sexual and with stunning disregard for what is expected, she told the story of society’s increasing consumerism, environmental destruction, false idols and the irony of modern trendy spirituality. Continuing her artistic journey, the rise of NFTs and digital generative art caught her eye and became her newest medium for exploration in collaboration with her husband.
Ryan has a background in programming and technology, originally studying engineering at Stanford University. He always believed coding was an art form - an elegantly written algorithm inspires the same feelings of beauty as a painting or a sculpture. He is particularly attracted to abstract art, perhaps due to its similarity to code. Collaborating with Alina on Identity has been the perfect marriage of art and code (pun intended).